Friday
Mar152013

why 5q?

To me, talking to people is the fastest way to learn. When I do these 5-question interviews with artists and creative professionals, I get to learn from their life's journey, and then share that learning with you.  

Below, you can learn how Indian jewelry mogul AMRITA SINGH earned her place in New York's fashion industry, how chef VIKRAM VIJ overcame stereotyping and negative messages to follow his passion for cooking. You can read how painful it can be as an artist, as expressed so eloquently by painter CHANTEY DAYAL, or how NYC photographer PUNAM BEAN found her way to the camera lens. 

 

  

 

 

 

 

 

Hearing someone’s voice, their particular way of saying something, while seeing their facial expressions and gestures, are all the gifts of motion picture. The 5-question format is meant to draw out a subject’s wisdom and spirit, and the end product is intended to be something engaging, sophisticated and short so people want to watch and share it.  For more information, please contact the filmmaker directly at punam@punamarts.ca

Thursday
Feb072013

The 5Q Interview with Amrita Singh

Just released for New York Fashion Week, a 5-question/5-minute tribute to one of my favorite Indian designers, Amrita Singh.

The 5Q Interview with Amrita Singh (PunamArts) from PunamArts on Vimeo.

Thursday
Mar292012

the 5q Interview with Vikram Vij

Here is video version of The 5Q Interview - with acclaimed Indian chef, Vikram Vij. The video is more of a journey into Vij's philosophical bearings than a traditional interview about food and wine.  With references to Mahatma Gandhi, cultural identity, sexual orientation and atheism, the portrait captures the chef's essence and life outlook in under 10 minutes and in the confines of 5 questions.


Thursday
Mar292012

5q - in the works

I am also excited to announce that 2 more portraits are in the works. The first is with New York-based jewelry designer Amrita Singh. I came across her jewelry in O Magazine, at exactly the time winter hit and I started online shopping as therapy to my cabin fever. Amrita and I met at her Soho studio (yes, it is exactly what you imagine in a "Soho studio") during New York Fashion Week and we talked less about fashion and more about Amrita as a female force. Her jewelry is exquisite and it's no wonder that her pieces are worn by J. Lo, Anne Hathaway, and Princess Mary of Denmark. I loved being in her studio and seeing glimpses of the books and artwork where she pulls her inspiration.  

 

The other portrait that I am so excited about is on Juno-award winner Kiran Ahluwalia.  She and her husband-jazz guitarist-wisecracker, Rez Abbasi, invited me into their Upper East Side apartment in New York where they live, love and rehearse. We talked a lot about being Kiran and Rez as partners and co-creators, compared ghazal music to jazz, and had one hell of an entertaining time. 

Saturday
Jun112011

The 5Q interview with CHANTEY DAYAL

Bono's words, "A feeling is so much more stronger/Than a thought" are the song to Chantey Dayal's artistry.   

 

Chantey Dayal, from Duncan, British Columbia

Her paintings convey those feelings that my body holds holy, those experiences that only the senses, not the mind, can capture: my bare feet touching lush, warm, green grass after a long winter; a charmed evening spent in six yards of regal, contrast-colored silk; my newborn's tiny ankles and feet gently fidgeting on my body as I feed him.

 

I appreciate Chantey's ability to evoke such feelings because I often struggle with it in my own work. My creative process, probably like many others', begins with a mind spark - a wondering about life, a new idea, a concept I want to illuminate. The thought is raw, cerebral, and my process continues to be a very mental one as I chew, mull, ruminate. I sometimes make the mistake of staying here too long, and not pivoting into a different place, the place that has no answers, the place which can only be felt. I've never discussed this with anyone, but it must be a common struggle.  Why else would Bono explicitly write those lyrics?

I asked Chantey 5 questions about life, art, and upbringing. Her paintings told me she was a woman who had journeyed and would have something meaningful to share. 

PunamArts: "Painter of nature and folly" are how you describe your work. Did you ever imagine that your unbridled love of life could lead you to being a painter and getting paid to follow your passion?

CHANTEY: I've always felt deeply that love of life would lead me exactly where I needed to be, mistakes and all.  As an impressionable eight year old on a visit to India, a family member read my fingerprint and told me in no uncertain terms that I was destined to be an artist.  It felt as though I was being told something which I already knew, so I never doubted that I would someday be paid to follow my passion.  There was simply no choice in the matter and that is still true today. 

PunamArts: What's it like being a working artist amongst your family and friends? What's the one thing people underestimate about being an artist?

CHANTEY: All of my soul friends are artists and in my family being an artist was a good thing.  My mother's side is a line of culinary masters, knitters and singers, and despite the conservative background of my father's side, each person is still passionate about music, or drawing, cooking or poetry.  I can honestly say, that I have always felt supported, encouraged and even pushed to pursue my dreams. The one thing that is underestimated is how painful it can be to put yourself out there as an artist and to continue the "inner digging" that is required to keep coming back to what calls you.


PunamArts: I am interested in the influences (media, parental, teacher) on young people when they begin exploring their future. Why do you think the words "I want to be an artist" often gets such negative reactions? What did you hear when you told people what you wanted to be?

CHANTEY: I think that almost all negative reactions come from one place, and that is fear.  People are afraid to stand at the cliff or in front of the mirror or naked for all to see.  I suppose they also fear those who are willing to do so.  I've had many reactions, from rolling eyes to half hearted "good lucks", from pats on the back to incredibly supportive actions.  All of them were necessary in helping me find my own truth of the matter.  What other's think is pretty much irrelevant, it is the inner conversation which propels us or stops us dead in our tracks!

PunamArts: I've made a documentary which further explores these themes that we are discussing like passion, influences, and mastery of a craft. I'm curious what resonates with you when you watch the trailer?

CHANTEY: Finally! A story that inspires us to be ourselves, but also to be our very best selves.  I have always been drawn to, and admired the story of the blue collar worker.  I have worked for unions and hung out with highly skilled humans that quietly and relentlessly perfect their craft.  I really look forward to seeing the full length version.   

PunamArts: I sometimes encourage people to think of their future in terms of a LIFE VERB (create, build, love, fight) instead of a label like accountant, filmmaker, photographer. What would be your life verb?

CHANTEY: RADIATE

Chantey's art ranges in price from $125 for prints to $1500 for a large original.  She also welcomes commission. Please visit www.chanteydayal.com for more information.  

  


Thursday
Aug052010

The 5Q Interview with Punam Bean

She photographs love. She’s used the Internet to leap from ‘Craigslist wedding photographer’ to shooting exotic destination weddings. And we share the same name! Meet PUNAM BEAN, NYC photographer, and her gorgeous stills.

Punam Bean

I asked Punam Bean if I could profile her thoughts & philosophies in this 5-question interview.

PunamArts: Your message is clear and simple - you love to love. Did you ever imagine that love could lead you to being a photographer and getting paid to follow your passion?

Punam Bean: I think it's pretty ridiculous. I truly do love love, and I never thought I'd be able to make a living doing something that sounds in theory, so unprofitable. Though I was an actress most of my life, I still felt like I had no true direction. I was conflicted in the fact that I really loved this art form, but I also didn't want to eat top ramen for the rest of my life. So photography has been really amazing. It's still an art form that truly fulfills me, it enables me to show people the way I see love, the way I see the world, and I've been rewarded with a successful business. There truly is nothing better.

i love this image!

PunamArts: Are you considered the artsy one among your family and friends? What's the one thing people underestimate about being a photographer?

Punam Bean: I'm definitely the black sheep in my family, but all my friends are artists - actors, models, dancers, photographers. I think when I first started, people scoffed at me for being one of those "craigslist wedding photographers" (how else to get started with no experience!), but over time, as my blog became more popular, and my wedding destinations became more exotic, people really started to take notice. I don't feel underestimated. Everyone in my life is really supportive of what I do, and I myself am pretty amazed at all the amazing places I've been in the relatively short time I've been doing this.


PunamArts: Did you encounter any stigmas when you told people that you wanted to be a wedding photographer?

Punam Bean: None, really. I embarked upon becoming a wedding photographer, with absolutely no perspective. I had only even been to a couple of weddings, including my own, and I started out just trying to explore ways I could pay rent by working for myself. And the rest is history.


PunamArts: I always encourage young people to think of their future in terms of a LIFE VERB instead of a label like accountant, filmmaker, photographer.  ‘Create’, ‘build’  ‘fight’ ‘cook’ are some of the verbs I remember from my classroom visits. What would be your life verb?

Punam Bean: LOVE.


PunamArts: What resonates with you in the message of the Young Masters documentary?

Punam Bean: I certainly agree with the notion that people shouldn't feel like failures when pursuing blue collar jobs. I went to college and got a degree in Business, but I barely scraped by and remember nothing of what I learned there. I'm glad I went to college, but I don't think my life would be that different if I hadn't. That's certainly not the case for everyone, but also, working behind a desk in an office and going to college is not for everyone. As long as people are happy and have love in their lives, I don't see a reason to do one thing over the other.

Thanks Punam, for a great interview! (From Punam)